The Museum of the African Diaspora is proud to present a display of textile art, which combines work from the west coast of the African continent with quilts by a creative community of women in Gee’s Bend, Alabama. The juxtaposition of these pieces, from contrasting origins, presents visitors with the opportunity to contemplate, reflect and question their parallels and similarities. Despite differences in time, history, geography and culture, stylistic similarities are so strong and so common that they suggest cultural continuity and related sensibilities that simply could not occur by chance.
The three quilts on display from Gee’s Bend: The Architecture of the Quilt complement The Quilts of Gee’s Bend at the deYoung Museum, which is on view until December 31, 2006. The de Young exhibit includes 60 quilts selected from four generations of African American women who inhabit Gee’s Bend—a strip of land formed by a deep loop in the Alabama River, about thirty miles from Selma. Gee’s Bend quilts have been hailed by The New York Times as “some of the most miraculous works of modern art America has produced.”
MoAD’s selection of quilts is loaned from the collection of Tinwood Alliance, which in collaboration with Museum of Fine Arts, Houston organized The Quilts of Gee’s Bend as well as Gee’s Bend: The Architecture of the Quilt, currently exhibited at MFAH until September 4, 2006.
The West African textile pieces are on loan from Twiga Mbunda, a collector of African art, whose gallery, Twiga, is in San Francisco.

This exhibition is sponsored by Union Bank.