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        <title>MoAD Events and Exhibitions</title>
        <description>all of the upcoming events of MoAD, The Museum of the African Diaspora</description>
        <link>http://www.moadsf.org/visit/calendar.html</link>
        <lastBuildDate>Tue, 21 May 2013 01:23:45 +0100</lastBuildDate>
        <generator>FeedCreator 1.7.2</generator>
        <item>
            <title>Event: June 12, 2013: 1st Annual MoAD Golf Invitational</title>
            <link>http://www.moadsf.org/calendar/758</link>
            <description>&lt;p&gt;
 The &lt;strong&gt;1st Annual MoAD Golf Invitational&lt;/strong&gt; is a benefit for MoAD&amp;#39;s Program Fund. The event will take place at TPC Harding Park in San Francisco. The four-person scramble tournament will kick-off at 11am. The tournament competition concludes with a traditional cocktail reception and short awards program beginning at 5pm. A silent auction adjacent to the evening&amp;rsquo;s hosted bar and barbeque meal is open to participants and other invited guests.&lt;/p&gt;
&lt;p&gt;
 For more information click &lt;a href=&quot;http://www.moadsf.org/golf/&quot; target=&quot;_blank&quot;&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;
 For sponsorship information: Leslie Lombre, Director of Development (415) 358-7219 Email: &lt;a href=&quot;mailto:llombre@moadsf.org?subject=8th Annual MoAD Gala&quot;&gt;llombre@moadsf.org&lt;/a&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;11:00 am - 7:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/758</guid>
        </item>
        <item>
            <title>Event: June 15, 2013: TELL ME MORE | Scholarly Voices from the African Diaspora</title>
            <link>http://www.moadsf.org/calendar/748</link>
            <description>&lt;p&gt;
 The Scholarly Voices series&amp;nbsp;brings locally, nationally, and internationally recognized scholars to present on a variety of topics related to the African Diaspora. These events create a bridge of conversation between the academic world and the local community. All talks occur on Saturday mornings 10am-12pm in the Salon. Seating is limited.&lt;/p&gt;
&lt;p&gt;
 Please join us for an interactive conversation with&lt;strong&gt; Dr. Shakti Butler &lt;/strong&gt;on &lt;strong&gt;&lt;em&gt;Cracking the Codes: The System of Racial Inequity&lt;/em&gt;&lt;/strong&gt;. Dr. Butler will share an understanding of racial disparities in the United States by illuminating the relationship between internal bias and the structural forces that perpetuate inequitable outcomes in this country. She is the director of the film &amp;ldquo;Cracking the Codes: The System of Racial Inequity,&amp;rdquo; and the Founder and Creative Director of World Trust Educational Services, a nonprofit that uses film and dialogue as a catalyst for justice and community building.&lt;/p&gt;
&lt;p&gt;
 Free with MoAD Admission&lt;/p&gt;
&lt;br&gt;&lt;br&gt;10:00 am - 12:00 am: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/748</guid>
        </item>
        <item>
            <title>Event: June 20, 2013: 3rd on Third Arts Celebration</title>
            <link>http://www.moadsf.org/calendar/773</link>
            <description>&lt;p&gt;
 Come to 3rd on Third to learn more about MoAD&amp;#39;s &lt;em&gt;&lt;strong&gt;I&amp;#39;ve Known Rivers &lt;/strong&gt;Oral History Project. &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;
 3rd on Third partner, the Museum of the African Diaspora (MoAD) will bring its newest volume in the &lt;em&gt;I&amp;rsquo;ve Known Rivers (IKR): The MoAD Stories Project, the Bayview Hunters Point Oral History Project&lt;/em&gt; to Auntie April&amp;#39;s at 4618 3rd Street.&lt;/p&gt;
&lt;p&gt;
 On Thursday, June 20, the Bayview will come alive with a community-wide arts celebration. &lt;strong&gt;3rd on Third&lt;/strong&gt;, a reference to the third Thursday of the month and the event location, Third Street, will feature a myriad of activities for the whole family. The event will include an unveiling of 6 new &lt;strong&gt;StreetSmARTS&lt;/strong&gt; murals by local artists, pop up galleries, outdoor performances, a special children&amp;rsquo;s zone with free art-making activities and food vendors. The fun kicks off at 5:30 p.m. and ends at 8 p.m. Through creative partnerships with neighborhood-based organizations, 3rd on Third shines a spotlight on the Bayview&amp;rsquo;s cultural offerings and helps identify the Third Street Corridor as a lively destination for great food and art. 3rd on Third is presented by the &lt;strong&gt;San Francisco Arts Commission&lt;/strong&gt; with funding support from San Francisco Public Utilities Commission, which recently announced a two-year commitment to bring a robust suite of arts investment activities to the Bayview neighborhood. Other partners include the Bayview Merchants Association, and the Bayview Opera House Ruth Williams Memorial Theatre, Infin8Sync and other community-based artists. For information about 3rd on Third please contact Tyra Fennell at &lt;a href=&quot;mailto:tyra.fennell@sfgov.org&quot;&gt;tyra.fennell@sfgov.org&lt;/a&gt;.&lt;/p&gt;
&lt;br&gt;&lt;br&gt;5:30 pm - 8:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/773</guid>
        </item>
        <item>
            <title>Exhibition: June 20, 2013 - September 29, 2013: Gordon Parks: Photographs at his Centennial  </title>
            <link>http://www.moadsf.org/exhibits/?id=36</link>
            <description>&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;http://michaeldcommunications.com/wp-content/uploads/2011/04/9370108-H_-ss-150x150.png&quot; style=&quot;float: left; margin-right: 10px;&quot; /&gt;Acclaimed photographer, writer, filmmaker, and composer &lt;strong&gt;Gordon Parks&lt;/strong&gt; (1912-2006) fought poverty and racism with his camera. As Life magazine&amp;rsquo;s first African American staff photographer, Parks developed into one of America&amp;rsquo;s finest photojournalists. Parks&amp;rsquo;s photo-essays for the magazine covered subjects ranging from Paris fashion shows, to the Black Panthers, to slum-dwellers in Rio de Janeiro. A documentarian and resolute advocate for the civil rights movement, Parks&amp;rsquo;s photographs bore witness to the collective efforts of Black public figures, politicians, and ordinary Americans for civil rights. Like J.D. Ojerikere in Nigeria, Parks portrayed an America struggling with rapid political, social, and cultural change.&lt;/p&gt;
&lt;p&gt;
	This exhibition, mounted in honor of Parks&amp;rsquo;s 100th birthday, includes eight of his most significant photographs, which were donated to MoAD by the photographer himself.&lt;/p&gt;
&lt;p&gt;
	On view at MoAD from June 21 to September 29, 2013.&lt;/p&gt;
&lt;p&gt;
	Image: Gordon Parks, Emerging Man, Harlem, 1952&lt;/p&gt;
&lt;p&gt;
	[Opening Reception] &amp;nbsp;&amp;bull; &amp;nbsp;&lt;a href=&quot;http://michaeldcommunications.com/moad-press-room/press-images-gordon-parks-exhibition/&quot;&gt;[More Images]&lt;/a&gt;&amp;nbsp; &amp;bull; &amp;nbsp;&lt;a href=&quot;http://michaeldcommunications.com/moad-press-room/&quot;&gt;[Press Room]&lt;/a&gt;&lt;/p&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/exhibits/?id=36</guid>
        </item>
        <item>
            <title>Exhibition: June 20, 2013 - September 29, 2013: J.D. ...</title>
            <link>http://www.moadsf.org/exhibits/?id=35</link>
            <description>&lt;p&gt;
	&lt;img alt=&quot;&quot; src=&quot;http://michaeldcommunications.com/wp-content/uploads/2011/04/45.HG0895-08-press-ss-150x150.png&quot; style=&quot;float: left; margin-right: 10px;&quot; /&gt;&lt;em&gt;Sartorial Moments and the Nearness of Yesterday&lt;/em&gt; is the second in MoAD&amp;rsquo;s Curator&amp;rsquo;s Choice Series. Curated by Olabisi Silva, Director of the Contemporary Centre for Art, Lagos, this first showing of the work of Nigerian national treasure &lt;strong&gt;J.D. Ojerikere&lt;/strong&gt; on the West Coast, is about preserving cultural traditions in the face of Nigeria&amp;rsquo;s change from colonial rule to independence. Ojerikere&amp;rsquo;s photographs, which date from 1955 to 2008, document traditional dress and hairstyles along with the Western-style adaptations that enabled the youth of Lagos to feel themselves part of the modern world. Many, Ojerikere included, feared that these sartorial transformations (that is, the Western fashions) would diminish the importance of Nigerian traditions and culture among the youth. Yet, as Ojerikere&amp;rsquo;s photographs show, traditional styles continued to be ever-present sartorial expressions of what it means to be Nigerian.&lt;/p&gt;
&lt;p&gt;
	&lt;em&gt;Sartorial Moments&lt;/em&gt; is the first of several exhibitions at MoAD that will examine the effects of African and Caribbean independence movements on Africans both in Africa and in the global diaspora. The next exhibition in the series, opening in fall 2013, is &lt;em&gt;Cultivating Crosscurrents: African and Black Diasporas in Dialogue, 1960-1975&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;
	On view at MoAD from June 20 to September 29, 2013.&lt;/p&gt;
&lt;p&gt;
	Image: J.D. &amp;#39;Okhai Ojeikere, untitled, 2008, 50.8 x50.8 cm&lt;/p&gt;
&lt;p&gt;
	&lt;font color=&quot;#555555&quot; face=&quot;Verdana, Arial, Helvetica, sans-serif&quot;&gt;&lt;span style=&quot;line-height: 16px;&quot;&gt;[Opening R&lt;/span&gt;&lt;/font&gt;&lt;font color=&quot;#555555&quot; face=&quot;Verdana, Arial, Helvetica, sans-serif&quot;&gt;&lt;span style=&quot;line-height: 16px;&quot;&gt;eception]&lt;/span&gt;&lt;/font&gt;&lt;span style=&quot;color: rgb(85, 85, 85); font-family: verdana; font-size: 13px; line-height: 20px;&quot;&gt;&amp;nbsp; &amp;bull; &amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://michaeldcommunications.com/moad-press-room/press-images-sartorial-moments/&quot; style=&quot;color: rgb(85, 85, 85); font-family: Verdana, Arial, Helvetica, sans-serif; background-image: none; line-height: 16px;&quot;&gt;[More Images]&lt;/a&gt;&lt;span style=&quot;color: rgb(85, 85, 85); font-family: verdana; font-size: 13px; line-height: 20px;&quot;&gt;&amp;nbsp; &amp;bull; &amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://michaeldcommunications.com/services/moad-press-room&quot; style=&quot;color: rgb(85, 85, 85); font-family: Verdana, Arial, Helvetica, sans-serif; background-image: none; line-height: 16px;&quot;&gt;[Press Room]&lt;/a&gt;&lt;/p&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/exhibits/?id=35</guid>
        </item>
        <item>
            <title>Event: June 23, 2013: Family Free Day | Celebrate Black Music Month and Juneteenth presented by ...</title>
            <link>http://www.moadsf.org/calendar/782</link>
            <description>&lt;p&gt;
 Celebrate Juneteenth and Black Music Month at MoAD with a Family Free Day presented by &lt;strong&gt;ScholarShare&lt;/strong&gt;.&lt;/p&gt;
&lt;p&gt;
 Enjoy &lt;strong&gt;Free Admission&lt;/strong&gt; on the opening weekend of our new exhibitions, &lt;em&gt;&lt;strong&gt;J.D. 'Okhai Ojeikere, Nigerian Photographer: Sartorial Moments and the Nearness of Yesterday&lt;/strong&gt;&lt;/em&gt;, and &lt;em&gt;&lt;strong&gt;Gordon Parks Photographs at his Centennial.&lt;/strong&gt;&lt;/em&gt; Create sidewalk chalk art with Jamie Treacy in front of the museum. Participate in an interactive workshop for families on&lt;strong&gt; &lt;em&gt;Jazz as a Metaphor for Democratic Participation&lt;/em&gt; &lt;/strong&gt;with &lt;strong&gt;Dr. Wes Watkins&lt;/strong&gt;, founder of the &lt;strong&gt;Jazz &amp; Democracy Project&lt;/strong&gt;. Using the interactive Whackin’ The Blues™ activity, live musical performance featuring Rhonda Benin, and exclusive interviews with today’s jazz masters, Dr. Wes Watkins, will reveal key facets of the jazz process, and what this tells us about participating in the democratic process. This workshop will be in the MoAD Salon from 12:30-2pm. Following the workshop, &lt;strong&gt;Rhonda Benin &lt;/strong&gt;and her band will present, &lt;em&gt;&lt;strong&gt;There Ain't No Jazz Without the Blues&lt;/strong&gt;&lt;/em&gt;, a musical experience that demonstrates the evolution of jazz from the blues sounds of the Mississippi Delta.&lt;em&gt; Ain't No Jazz Without the Blues&lt;/em&gt; will be in the MoAD Salon from 3-4:30pm. In our Education Center, join us for a family art activity --&lt;strong&gt; make your own musical instrument&lt;/strong&gt; to take home with you with teaching artist&lt;strong&gt; Zena Allen&lt;/strong&gt;. Drop in to our Education Center between 12-4pm to participate. In the Wells Fargo Heritage Center, view the documentary &lt;em&gt;Juneteenth&lt;/em&gt; to learn all about the special celebration of the Emancipation Proclamation during its 150th anniversary.&lt;/p&gt;
&lt;p&gt;
 &lt;span class=&quot;906140501-08122012&quot;&gt;&lt;font face=&quot;Arial&quot; size=&quot;2&quot;&gt;&lt;strong&gt;FREE DAY&lt;/strong&gt; sponsored by &lt;strong&gt;ScholarShare College Savings Plan&lt;/strong&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;
  &lt;/p&gt;
&lt;p&gt;
 &lt;img src=&quot;http://www.moadsf.org/images/logo-scholarshare.png&quot; /&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;12:00 pm - 5:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/782</guid>
        </item>
        <item>
            <title>Event: July 20, 2013: TELL ME MORE | Scholarly Voices from the African Diaspora</title>
            <link>http://www.moadsf.org/calendar/768</link>
            <description>&lt;p&gt;
 The Scholarly Voices series brings locally, nationally, and internationally recognized scholars to present on a variety of topics related to the African Diaspora. These events create a bridge of conversation between the academic world and the local community. All talks occur on Saturday mornings 10am-12pm in the Salon. Seating is limited.&lt;/p&gt;
&lt;p&gt;
 &lt;strong&gt;Dr. Robert C. Smith&lt;/strong&gt; presents his book &lt;strong&gt;John F. Kennedy, Barack Obama, and the Politics of Ethnic Incorporation and Avoidance&lt;/strong&gt;, Dr. Smith provides a fascinating comparison of the challenges both men faced in their bid for the presidency, while at the same time providing comparative histories of the Catholic Irish and African American struggles to overcome racial and religious subordination in America. Kennedy&amp;rsquo;s Catholicism was an explicit issue in the 1960 election, and once elected he was extremely careful to avoid appearing either &amp;ldquo;too Irish&amp;rdquo; or &amp;ldquo;too Catholic.&amp;rdquo; While Obama&amp;rsquo;s race was not an explicit issue in the 2008 election, he was just as careful to avoid appearing &amp;ldquo;too black.&amp;rdquo; Robert C. Smith is Professor of Political Science at San Francisco State University.&lt;/p&gt;
&lt;p&gt;
 &lt;strong&gt;Free with MoAD Admission.&lt;/strong&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;10:00 am - 12:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/768</guid>
        </item>
        <item>
            <title>Event: July 25, 2013: FILM SCREENING &amp; DISCUSSION | Delicious Peace Grows in a Ugandan ...</title>
            <link>http://www.moadsf.org/calendar/774</link>
            <description>&lt;p&gt;
 Join us for a film screening and panel discussion of &lt;em&gt;&lt;strong&gt;Delicious Peace Grows in a Ugandan Coffee Bean&lt;/strong&gt;&lt;/em&gt;. This documentary details how in a nation once plagued by Idi Amin&amp;#39;s reign of terror, Christian, Jewish, and Muslim Ugandan coffee farmers have come together to challenge historical prejudice and economic hurdles by forming the &amp;quot;Delicious Peace Coffee Cooperative.&amp;quot; The cooperative has become a model for others, demonstrating how the interweaving of harmonious relationships with Fair Trade practices can substantially improve the lives of people who are economically challenged.&lt;/p&gt;
&lt;p&gt;
 Free with MoAD Admission.&lt;/p&gt;
&lt;br&gt;&lt;br&gt;6:30 pm - 8:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/774</guid>
        </item>
        <item>
            <title>Event: August 7, 2013: MUSIC ACROSS THE DIASPORA | The Spirit of the Drum: Rhythm-centric ...</title>
            <link>http://www.moadsf.org/calendar/775</link>
            <description>&lt;p&gt;
 Join &lt;strong&gt;John Santos&lt;/strong&gt; for a &lt;strong&gt;6-week lecture series&lt;/strong&gt; on &lt;em&gt;&lt;strong&gt;The Spirit of the Drum: Rhythm-centric Community Expression in Caribbean and Latin American Music&lt;/strong&gt;&lt;/em&gt;. The first lecture is on Wednesday, August 7th and continues weekly through Wednesday, September 11th.&lt;/p&gt;
&lt;p&gt;
 True to African tradition, the drum is still the heartbeat of many working class communities in the African diaspora. In this series, we will enter these communities through video clips, photos and rare recordings, as well as take an up-close look at several of the rhythmic instruments used in diverse drumming traditions found in the Americas. We&amp;#39;ll also discuss the commonalities, connections and differences between regional forms and how these threatened art forms are the expressive voices of resistance as they have been since colonial times. Some of the drumming traditions into which we will delve are Abaku&amp;aacute;, Arar&amp;aacute;, Iyes&amp;aacute;, Candombl&amp;eacute;, Vod&amp;uacute;n, Bat&amp;aacute;, Bomba, Samba, Rumba, Conga de Comparsa, Palo, Plena, Bemb&amp;eacute;, Cumbia, Merengue, Quitipl&amp;aacute;s, Tumba Francesa, and Candombe.&lt;/p&gt;
&lt;p&gt;
 Five-time Grammy-nominated producer, bandleader, composer, percussionist and US Artists Fontanals Fellow, &lt;strong&gt;John Santos&lt;/strong&gt;, is one of the foremost exponents of Afro-Latin music in the world today. Born in San Francisco, California, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. He is widely respected as one of the top writers, teachers and historians in the field and was a member of the Latin Jazz Advisory Committee of the Smithsonian Institution.&lt;/p&gt;
&lt;p&gt;
 &lt;em&gt;This series is co-presented by Museum of the African Diaspora, Yerba Buena Gardens Festival, and SFJazz. Information on ticket prices and purchasing will be available soon.&lt;/em&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;7:00 pm - 9:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/775</guid>
        </item>
        <item>
            <title>Event: August 14, 2013: MUSIC ACROSS THE DIASPORA | The Spirit of the Drum: Rhythm-centric ...</title>
            <link>http://www.moadsf.org/calendar/776</link>
            <description>&lt;p&gt;
 Join &lt;strong&gt;John Santos&lt;/strong&gt; for a &lt;strong&gt;6-week lecture series&lt;/strong&gt; on &lt;em&gt;&lt;strong&gt;The Spirit of the Drum: Rhythm-centric Community Expression in Caribbean and Latin American Music&lt;/strong&gt;&lt;/em&gt;. The first lecture is on Wednesday, August 7th and continues weekly through Wednesday, September 11th.&lt;/p&gt;
&lt;p&gt;
 True to African tradition, the drum is still the heartbeat of many working class communities in the African diaspora. In this series, we will enter these communities through video clips, photos and rare recordings, as well as take an up-close look at several of the rhythmic instruments used in diverse drumming traditions found in the Americas. We&amp;#39;ll also discuss the commonalities, connections and differences between regional forms and how these threatened art forms are the expressive voices of resistance as they have been since colonial times. Some of the drumming traditions into which we will delve are Abaku&amp;aacute;, Arar&amp;aacute;, Iyes&amp;aacute;, Candombl&amp;eacute;, Vod&amp;uacute;n, Bat&amp;aacute;, Bomba, Samba, Rumba, Conga de Comparsa, Palo, Plena, Bemb&amp;eacute;, Cumbia, Merengue, Quitipl&amp;aacute;s, Tumba Francesa, and Candombe.&lt;/p&gt;
&lt;p&gt;
 Five-time Grammy-nominated producer, bandleader, composer, percussionist and US Artists Fontanals Fellow, &lt;strong&gt;John Santos&lt;/strong&gt;, is one of the foremost exponents of Afro-Latin music in the world today. Born in San Francisco, California, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. He is widely respected as one of the top writers, teachers and historians in the field and was a member of the Latin Jazz Advisory Committee of the Smithsonian Institution.&lt;/p&gt;
&lt;p&gt;
 &lt;em&gt;This series is co-presented by Museum of the African Diaspora, Yerba Buena Gardens Festival, and SFJazz. Information on ticket prices and purchasing will be available soon.&lt;/em&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;7:00 pm - 9:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/776</guid>
        </item>
        <item>
            <title>Event: August 21, 2013: MUSIC ACROSS THE DIASPORA | The Spirit of the Drum: Rhythm-centric ...</title>
            <link>http://www.moadsf.org/calendar/777</link>
            <description>&lt;p&gt;
 Join &lt;strong&gt;John Santos&lt;/strong&gt; for a &lt;strong&gt;6-week lecture series&lt;/strong&gt; on &lt;em&gt;&lt;strong&gt;The Spirit of the Drum: Rhythm-centric Community Expression in Caribbean and Latin American Music&lt;/strong&gt;&lt;/em&gt;. The first lecture is on Wednesday, August 7th and continues weekly through Wednesday, September 11th. True to African tradition, the drum is still the heartbeat of many working class communities in the African diaspora. In this series, we will enter these communities through video clips, photos and rare recordings, as well as take an up-close look at several of the rhythmic instruments used in diverse drumming traditions found in the Americas. We&amp;#39;ll also discuss the commonalities, connections and differences between regional forms and how these threatened art forms are the expressive voices of resistance as they have been since colonial times. Some of the drumming traditions into which we will delve are Abaku&amp;aacute;, Arar&amp;aacute;, Iyes&amp;aacute;, Candombl&amp;eacute;, Vod&amp;uacute;n, Bat&amp;aacute;, Bomba, Samba, Rumba, Conga de Comparsa, Palo, Plena, Bemb&amp;eacute;, Cumbia, Merengue, Quitipl&amp;aacute;s, Tumba Francesa, and Candombe.&lt;/p&gt;
&lt;p&gt;
 Five-time Grammy-nominated producer, bandleader, composer, percussionist and US Artists Fontanals Fellow, &lt;strong&gt;John Santos&lt;/strong&gt;, is one of the foremost exponents of Afro-Latin music in the world today. Born in San Francisco, California, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. He is widely respected as one of the top writers, teachers and historians in the field and was a member of the Latin Jazz Advisory Committee of the Smithsonian Institution.&lt;/p&gt;
&lt;p&gt;
 &lt;em&gt;This series is co-presented by Museum of the African Diaspora, Yerba Buena Gardens Festival, and SFJazz. Information on ticket prices and purchasing will be available soon.&lt;/em&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;7:00 pm - 9:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/777</guid>
        </item>
        <item>
            <title>Event: August 28, 2013 - May 28, 2013: MUSIC ACROSS THE DIASPORA | The Spirit of the Drum: ...</title>
            <link>http://www.moadsf.org/calendar/778</link>
            <description>&lt;p&gt;
 Join &lt;strong&gt;John Santos&lt;/strong&gt; for a &lt;strong&gt;6-week lecture series&lt;/strong&gt; on &lt;em&gt;&lt;strong&gt;The Spirit of the Drum: Rhythm-centric Community Expression in Caribbean and Latin American Music&lt;/strong&gt;&lt;/em&gt;. The first lecture is on Wednesday, August 7th and continues weekly through Wednesday, September 11th.&lt;/p&gt;
&lt;p&gt;
 True to African tradition, the drum is still the heartbeat of many working class communities in the African diaspora. In this series, we will enter these communities through video clips, photos and rare recordings, as well as take an up-close look at several of the rhythmic instruments used in diverse drumming traditions found in the Americas. We&amp;#39;ll also discuss the commonalities, connections and differences between regional forms and how these threatened art forms are the expressive voices of resistance as they have been since colonial times. Some of the drumming traditions into which we will delve are Abaku&amp;aacute;, Arar&amp;aacute;, Iyes&amp;aacute;, Candombl&amp;eacute;, Vod&amp;uacute;n, Bat&amp;aacute;, Bomba, Samba, Rumba, Conga de Comparsa, Palo, Plena, Bemb&amp;eacute;, Cumbia, Merengue, Quitipl&amp;aacute;s, Tumba Francesa, and Candombe.&lt;/p&gt;
&lt;p&gt;
 Five-time Grammy-nominated producer, bandleader, composer, percussionist and US Artists Fontanals Fellow, &lt;strong&gt;John Santos&lt;/strong&gt;, is one of the foremost exponents of Afro-Latin music in the world today. Born in San Francisco, California, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. He is widely respected as one of the top writers, teachers and historians in the field and was a member of the Latin Jazz Advisory Committee of the Smithsonian Institution.&lt;/p&gt;
&lt;p&gt;
 &lt;em&gt;This series is co-presented by Museum of the African Diaspora, Yerba Buena Gardens Festival, and SFJazz. Information on ticket prices and purchasing will be available soon.&lt;/em&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;7:00 pm - 9:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/778</guid>
        </item>
        <item>
            <title>Event: September 4, 2013: MUSIC ACROSS THE DIASPORA | The Spirit of the Drum: Rhythm-centric ...</title>
            <link>http://www.moadsf.org/calendar/779</link>
            <description>&lt;p&gt;
 Join &lt;strong&gt;John Santos&lt;/strong&gt; for a &lt;strong&gt;6-week lecture series&lt;/strong&gt; on &lt;em&gt;&lt;strong&gt;The Spirit of the Drum: Rhythm-centric Community Expression in Caribbean and Latin American Music&lt;/strong&gt;&lt;/em&gt;. The first lecture is on Wednesday, August 7th and continues weekly through Wednesday, September 11th.&lt;/p&gt;
&lt;p&gt;
 True to African tradition, the drum is still the heartbeat of many working class communities in the African diaspora. In this series, we will enter these communities through video clips, photos and rare recordings, as well as take an up-close look at several of the rhythmic instruments used in diverse drumming traditions found in the Americas. We&amp;#39;ll also discuss the commonalities, connections and differences between regional forms and how these threatened art forms are the expressive voices of resistance as they have been since colonial times. Some of the drumming traditions into which we will delve are Abaku&amp;aacute;, Arar&amp;aacute;, Iyes&amp;aacute;, Candombl&amp;eacute;, Vod&amp;uacute;n, Bat&amp;aacute;, Bomba, Samba, Rumba, Conga de Comparsa, Palo, Plena, Bemb&amp;eacute;, Cumbia, Merengue, Quitipl&amp;aacute;s, Tumba Francesa, and Candombe.&lt;/p&gt;
&lt;p&gt;
 Five-time Grammy-nominated producer, bandleader, composer, percussionist and US Artists Fontanals Fellow, &lt;strong&gt;John Santos&lt;/strong&gt;, is one of the foremost exponents of Afro-Latin music in the world today. Born in San Francisco, California, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. He is widely respected as one of the top writers, teachers and historians in the field and was a member of the Latin Jazz Advisory Committee of the Smithsonian Institution.&lt;/p&gt;
&lt;p&gt;
 &lt;em&gt;This series is co-presented by Museum of the African Diaspora, Yerba Buena Gardens Festival, and SFJazz. Information on ticket prices and purchasing will be available soon.&lt;/em&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;7:00 pm - 9:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/779</guid>
        </item>
        <item>
            <title>Event: September 11, 2013: MUSIC ACROSS THE DIASPORA | The Spirit of the Drum: Rhythm-centric ...</title>
            <link>http://www.moadsf.org/calendar/780</link>
            <description>&lt;p&gt;
 Join &lt;strong&gt;John Santos&lt;/strong&gt; for a &lt;strong&gt;6-week lecture series&lt;/strong&gt; on &lt;em&gt;&lt;strong&gt;The Spirit of the Drum: Rhythm-centric Community Expression in Caribbean and Latin American Music&lt;/strong&gt;&lt;/em&gt;. The first lecture is on Wednesday, August 7th and continues weekly through Wednesday, September 11th.&lt;/p&gt;
&lt;p&gt;
 True to African tradition, the drum is still the heartbeat of many working class communities in the African diaspora. In this series, we will enter these communities through video clips, photos and rare recordings, as well as take an up-close look at several of the rhythmic instruments used in diverse drumming traditions found in the Americas. We&amp;#39;ll also discuss the commonalities, connections and differences between regional forms and how these threatened art forms are the expressive voices of resistance as they have been since colonial times. Some of the drumming traditions into which we will delve are Abaku&amp;aacute;, Arar&amp;aacute;, Iyes&amp;aacute;, Candombl&amp;eacute;, Vod&amp;uacute;n, Bat&amp;aacute;, Bomba, Samba, Rumba, Conga de Comparsa, Palo, Plena, Bemb&amp;eacute;, Cumbia, Merengue, Quitipl&amp;aacute;s, Tumba Francesa, and Candombe.&lt;/p&gt;
&lt;p&gt;
 Five-time Grammy-nominated producer, bandleader, composer, percussionist and US Artists Fontanals Fellow, &lt;strong&gt;John Santos&lt;/strong&gt;, is one of the foremost exponents of Afro-Latin music in the world today. Born in San Francisco, California, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. He is widely respected as one of the top writers, teachers and historians in the field and was a member of the Latin Jazz Advisory Committee of the Smithsonian Institution.&lt;/p&gt;
&lt;p&gt;
 &lt;em&gt;This series is co-presented by Museum of the African Diaspora, Yerba Buena Gardens Festival, and SFJazz. Information on ticket prices and purchasing will be available soon.&lt;/em&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;7:00 pm - 9:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/780</guid>
        </item>
        <item>
            <title>Event: September 15, 2013: Yerba Buena Family Day Presented by Target</title>
            <link>http://www.moadsf.org/calendar/781</link>
            <description>Come to the Yerba Buena neighborhood for a full day of family programming with free admission to MoAD and neighboring institutions.&lt;br&gt;&lt;br&gt;12:00 pm - 5:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/781</guid>
        </item>
        <item>
            <title>Exhibition: October 11, 2013 - January 20, 2014: Cultivating Crosscurrents: African and Black ...</title>
            <link>http://www.moadsf.org/exhibits/?id=37</link>
            <description>At the turn of the 20th century, writers, intellectuals, artists, and students of the African and Black diasporas initiated ongoing dialogues between Blacks in the Americas, Africa, and the Caribbean, thus creating multiple evolving ideologies of self-definition and self-determination that continue to flourish into the present day. The Pan-African and Négritude movements spearheaded by leaders, artists, and writers of the diaspora emphasized culture as a means for holistic empowerment, and invited African people to define culture on their own terms and to seek ways to profit from thinking and acting globally. 

Cultivating Crosscurrents employs the concepts of transnationalism and diaspora to trace the evolution and mutual influences of various Black ideologies and movements. Precursors of self-determination and nationalism explored in the exhibition include Pan-Africanism, the Caribbean diaspora and Marcus Garvey, and Négritude, leading up to a central focus on the decades of the 1960s, 1970s and early 1980s, when African nations won independence and the Civil Rights, Black Power, and Black Arts movements emerged and cemented countless lasting impressions that continue to inform contemporary scholars and artists.
Cultivating Crosscurrents explores five core themes: 
•	Precursors to Independence
•	Diasporic Exchanges: Intellectuals Talking and Writing across Continents
•	The Politics of Liberation and Independence in the African Diaspora (“The Year of Africa”)
•	Activism: Civil Rights and Black Power Movements (SNCC, The Black Panthers)
•	Transformations: The Black Arts Movement and “I Am Black, Beautiful, and Somebody”

In addition to numerous noteworthy works of art, Cultivating Crosscurrents makes extensive use of other relevant material culture to provide additional perspectives to the exhibition's central narrative, including memorabilia, seminal publications, and documentary photographs.
</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/exhibits/?id=37</guid>
        </item>
        <item>
            <title>Exhibition: October 11, 2013 - January 20, 2014: Curator’s Choice: The Ruth Waddy Sketchbook </title>
            <link>http://www.moadsf.org/exhibits/?id=38</link>
            <description>The Waddy Sketchbook

Consisting of 130 drawings by various artists, this unique document began as a common 8x10” sketchbook gifted by the artist Evangeline Montgomery to the artist and writer, Ruth Waddy (1909–2003) on her birthday in 1968. Inside the book, Montgomery wrote, “Have your friends fill up this book.” And, that’s exactly what she did. A year after that, Waddy, working with the esteemed curator Dr. Samella Lewis, wrote “Black Artists on Art”.  Based in Los Angeles, Waddy and Lewis pioneered the study of black artists on the West Coast. From the moment she received the book, Waddy carried it to meetings and conferences wherever she was sure to run into artists. By 1981, there were more than 120 drawings.

A new acquisition by Los Angeles County Museum of Art where it is currently being digitized. Visitors will be able to turn virtual pages as they view copies of the sketches on the gallery walls. 

Franklin Sirmans, Curator
</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/exhibits/?id=38</guid>
        </item>
        <item>
            <title>Event: October 12, 2013: 8th Annual MoAD Gala</title>
            <link>http://www.moadsf.org/calendar/759</link>
            <description>&lt;p&gt;
 The Museum of the African Diaspora (MoAD) will stage its 8th annual gala at The Palace Hotel in San Francisco on Saturday, October 12, 2013. The Gala, featuring a reception, dinner, post-dinner concert and &amp;ldquo;after party&amp;rdquo; attracts close to 500 attendees and is considered one of the Bay Area&amp;rsquo;s most exclusive events of the season. For sponsorship information: Leslie Lombre, Director of Development (415) 358-7219 Email: &lt;a href=&quot;mailto:llombre@moadsf.org?subject=8th Annual MoAD Gala&quot;&gt;llombre@moadsf.org&lt;/a&gt;&lt;/p&gt;
&lt;br&gt;&lt;br&gt;5:00 pm - 11:00 pm: &lt;br&gt;</description>
            <author>info@moadsf.org</author>
            <guid>http://www.moadsf.org/calendar/759</guid>
        </item>
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